If the number of relative strengths bullet points above is taken as a guide, the D is the clear winner of the match-up 11 : 2 points.
However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one. How about other alternatives? Do the specifications of the Canon D and the Canon Rebel place the cameras among the top in their class?
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the D and the Rebel in practical situations. User reviews, such as those found at amazon , can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review , just make a corresponding selection in the search boxes below.
Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
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Your feedback optional. If you like it, make sure you share it: Mention this page to your Facebook friends and Twitter followers. Submit a News Tip! Reading mode: Light Dark. Login Register. Best cameras and lenses. Started Sep 9, Discussions. Forum Threaded view. Sep 9, Can anyone tell me what is different in between those two models. Which one is better? Reply to thread Reply with quote Complain.
Re: what's different between model Rebel T1i and D? Reply Reply with quote Reply to thread Complain. Thanx -- hide signature Unapologetic Canon Apologist.
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Tamron mm F2. Panasonic S 35mm F1. DJI Mavic 3 Cine sample gallery. Nikon Z9 pre-production sample gallery. See more galleries ». Latest in-depth reviews. Use the mouseover links below to compare several Canon EOS models. When in video mode, the same button is used to start and stop video recording again, more later.
Four small holes are provided for the new speaker. A sensor turns off this display when the camera is near something - such as a face when using the viewfinder. You can turn off the display if it is not needed or wanted. Not so visible in these product pictures is that this LCD is the excellent new 3", , dots vs. In addition to its all around benefits, I find this excellent new LCD to be especially useful for critical focusing in Live View.
I've revealed the new Movie Mode. While technically they are correct, I'm far less enthusiastic about this mode. The reality is that the slow 20 fps the T1i's p video mode offers leaves a lot to be desired - at least if there is any motion in the scene. And I suppose, if there is no motion and no sound , a still image would be better-suited for the task. Much more useful and exciting is the T1i's p x 30 fps HD mode selectable in the video menu tab x SD is also available.
While not p, the image quality from the T1i's relatively large sensor is excellent - rivaling or surpassing expensive HD video cameras. Not as excellent is the lack of control over the T1i's video imaging parameters. Turn the mode dial to Video and the mirror lifts revealing the properly-cropped scene on the rear LCD. Though fully automatic, recording a quality T1i video requires some forethought.
All other camera sounds including image stabilization noises will be picked up - along with wind noise. Put the camera on a tripod, manually focus the lens and life is much better. The quality from the built-in mic is not bad. And again, video quality is very high. It also costs much more. Some great T1i videos are certainly going to be made. As expected, video files sizes are very large. For playback on a computer, "Canon strongly suggests a minimum Core 2 Duo 2.
With video now appearing on both the 5D II and the T1i, it seems to me that this function has gained traction - we'll likely see it become standard on at least the non-pro bodies. Obviously the video menu mentioned above is new. T1i menu options are slightly changed from the XSi - especially the new flash control menu with submenu options for separately controlling both the built-in, pop-up flash and an external Speedlite flash.
Fortunately, the "Set" button can be programmed for the FEC funtion. While I find Live View zoomed to 10x especially useful for precise manual focusing, Quick mode, Live mode, and Live Face up to 35 of them Detect mode autofocusing are available. The latter two are contrast detection modes slow while the former utilizes phase detection fast but requires the mirror to drop which temporarily suspends Live View.
Grids 3x3 or 4x6 , useful for alignment, can be superimposed on the Live View display. Overall, the T1i is about as small as it could be to comfortably fit my medium-sized hand. My pinky finger just fits onto the bottom of the grip. The small size and light weight make the T1i a great choice when you are carrying your DSLR significantly more than shooting with it - it is ideal for those times when portability trumps features including a Rear Control Dial, joystick, top LCD Face it, if you are not going to take the camera with you, you are not going to get the shot.
The easy-to-take-with-you factor has a definite value. There will be many T1i bodies purchased as a second camera for this reason alone. Obviously, this frame rate is comparatively slow, but perfectly adequate for most non-action scenarios. The big test of an autofocus system is how well it tracks action - more specifically, action that is rapidly approaching or receding at a relatively close distance - such as a near-tightly-framed person running. My results from a youth soccer match shot with the T1i were not encouraging.
A very high percent of the images of players running toward the camera because they were OOF Out of Focus - with focus always trailing the athlete.
If you are shooting sports with a T1i, shooting stills and action that remains a constant distance from the camera will give you the highest keeper rate. Better yet, step up to one of the higher Canon EOS model lines. Sounding identical to the Rebels that came before it, the T1i continues to be relatively quiet and not as crisp-sounding as the xxD and pro model lines above it. Here are some audio clips. These were previously not disclosed by Canon - The 50D-matching values surprised me.
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